Nature of the world’s visual arts and their influences on personal expression. Lectures, demonstrations, and studio practice. (Not for art majors or minors)
Nature of the world’s visual arts and their influences on personal expression. Lectures, demonstrations, and studio practice. (Not for art majors or minors)
Broad-based studio exploration of materials, techniques, concepts in contemporary fiber art. May include surface patterning/manipulation, papermaking, woven, other 2D/3D hand construction techniques. Focus on creative-problem solving, experimentation in a cooperative studio setting.
Foundation explorations in the processes of relief, intaglio, and stencil printmaking. Direct workshop studio experience in the basic techniques and concepts of wood cut, linoleum cut, drypoint, monotype, and basic stencil processes.
Studio/ lecture examining the major themes and issues in historical and current photographical production. Direct black and white darkroom experience. Students must have 35mm film-based camera with adjustable shutter speed, aperture, and light meter.
Descriptive, expressive, and formal aspects of visual language through drawing practice.
Basic concepts, elements, and principles of art.
Theory and practice of painting; material and technical procedures. A standalone course aimed at non-majors. ART majors should start with ART 223 after taking ART 113.
Basic techniques of working with cold and molten glass. Theory of glass studio operation and introduction to glass theory.
Art produced in Asia, Africa, Native America, Europe, and the Pacific Islands, from prehistory to the 15th century. Religious and philosophical ideas expressed in architecture,
painting, prints, sculpture, applied art, body art, and textiles. (Fall only)
Art produced in Asia, Africa, Native America, Europe, and the Pacific Islands, from prehistory to the 15th century. Religious and philosophical ideas expressed in architecture, painting, prints, sculpture, applied art, body art, and textiles. (Fall only)
Art produced in Asia, Africa, Native America, Europe, and the Pacific Islands, from the 15th century to the present. Religious and philosophical ideas expressed in architecture, painting, prints, sculpture, applied art, body art, and textiles. (Spring only)
Art produced in Asia, Africa, Native America, Europe, and the Pacific Islands, from the 15th century to the present. Religious and philosophical ideas expressed in architecture, painting, prints, sculpture, applied art, body art, and textiles. (Spring only)
Integrated beginning studio art course, which offers students the opportunity to understand and express Hawaiian cultural perspectives through contemporary art practice. A-F only.
Theory and practice course investigating language common to all arts activity particularly as related to the contemporary arts. Pre: any studio art course; or consent.
Combined theory and practice examining major techniques, concepts, and aesthetics in contemporary digital image production. Direct studio experience in essential software, printing techniques and hardware necessary in producing the gallery quality inkjet print. A-F only. Pre: 113.
Black and white photography emphasizing communication and self-expression. Lectures,
demonstrations, and projects. Student must supply camera and material. Pre: 107 (with a minimum grade of B).
Extension of the observational foundation established in 113 to address contemporary conceptual and expressive approaches to drawing. Pre: 113 or consent.
Investigations of the figure concerning anatomical construction, light, space, diagramatic analysis, and thematic content. Pre: 113 or consent.
Studio practice in concepts and techniques of making prints from metal plates including etching, engraving, aquatint, and drypoint. A-F only. Pre: 113.
Studio practice in screenprinting on paper. Copy camera and basic photo-stencil techniques introduced. A-F only. Pre: 113.
Studio practice in the techniques and concepts of woodblock, linoleum cut, monotype, and calligraph printmaking. Emphasis on both traditional and contemporary practices. A-F only. Pre: 113.
Theory and practice of painting; contemporary conceptual and expressive approaches. Pre: 113.
An introduction to water-based media. Traditional transparent color, gouache and acrylics. Pre: 113 or consent.
Expressive explorations in glass casting with wet sand, bonded sand, and metal molds. Repeatable one time. Pre: 116 and 130.
Expressive explorations using architectural sheet glass. Development of 2D and 3D forms using engraving, sandblasting, and cold joinery techniques. Repeatable one time. Pre: 116 and 130.
Structured studio exploration of creative potential of working with threads under tension. In-depth introduction to a variety of traditional and experimental processes/ materials. Tradition of pattern weaving to experimental woven forms. A-F only. Pre: one of 103, 116; or consent.
In-depth studio exploration of non-loom fiber techniques for creating/ manipulating 2D and 3D forms. Emphasis on concept development, skill mastery, innovative application of materials/techniques. May include felting, knotting, netting, piecing, coiling, found object/sewn constructions, papermaking. A-F only. Pre: one of 103, 116; or consent.
Three-dimensional concepts in clay; hand-building and wheel-throwing techniques. Projects, lectures, and demonstrations.
Metal casting and development of associated practices and concepts. Repeatable one time. Pre: 116 or consent.
Investigations of traditional and contemporary carving concepts and methods. Repeatable one time. Pre: 116 or consent.
Introduction to graphic design. Explorations of rhetorical and semiotic structures and their relationship to visual form and content. ART 176 is recommended as a prerequisite.
A-F only. Pre: 113 or consent. Co-requisite: 265L and 266.
Beginning instruction in the Macintosh computer environment, including hardware, software, and lab networking as it relates to graphic design production. ART 176 is recommended as a prerequisite. CR/NC only. Pre: 113 or consent. Co-requisite: 265 and 266.
Introduction to typography. Exploration of letterform and word compositions in the context of single-page structures. ART 176 is recommended as a prerequisite. A-F only. Pre: 113 or consent. Co-requisite: 265 and 265L.
(6 Lec/ Lab) Combined theory and practice studio course(s) that investigate language, processes, and personalized composing systems related to the use of technological media and its application to a variety of contemporary art areas and related disciplines. (B) imaging systems; (C) sound; (D) interactive systems. Pre: 201 and one 200-level studio; or consent.
Examination of the significant themes and issues in contemporary critical theory as they relate to the production and reception of art. Pre: 176 or consent.
Expressive explorations in the use of kiln-formed, fusible-sheet glasses and enameling on glass. Repeatable one time. Pre: 116 and 130.
Combined theory and practice. Investigates industry standard methods for archival pigment printing. Techniques include: device calibration and profiling, black and white, coating techniques, mounting and adhesive techniques, professional portfolio presentation. A-F only. Pre: 202 (with a minimum grade of B).
Combined theory and practice. Merges digital printing, mark-making, photography, and traditional printmaking. Includes image transfers, lifts, precoating techniques, as well as printing on alternative substrates such as watercolor papers, metals, and cloth. Repeatable one time. A-F only. Pre: 202 (with a minimum grade of B).
Glass kiln casting techniques, lost wax fuse casting, pâte de verre. Repeatable one time. Pre: 116 and 130.
Emphasis on aesthetic and critical analysis. Techniques covered include continuous light, strobe and handheld flash. Repeatable one time with consent. Pre: 202 and 207 with a minimum grade of B.
Emphasis on aesthetic and critical analysis. (B) digital color photography and printing; (C) hand-applied emulsion. Each alpha is repeatable one time with consent. Pre: 202 and 207 with a minimum grade of B.
Studio practice in drawing emphasizing contemporary developments in art. Repeatable one time. Pre: 213 or consent.
Further investigations of the figure concerning anatomical and diagramatic construction, light, space, and thematic content. Repeatable one time. Pre: 214 or consent.
Provides students an opportunity to experiment with new mediums while collaborating with artists from different backgrounds, such as art, theatre, dance, film, and animation. ACM, ART, THEA, DNCE majors only. Pre: 113 or ACM 216 (or concurrent) or THEA 353 (or concurrent) or THEA 356 (or concurrent), or consent. (Cross-listed as ACM 315 and THEA 314)
Studio practice in concepts and techniques of making prints from lithographic limestone and plates. Pre: (with a minimum grade of B) 215 or 217 or 218.
Intermediate level specialization in either intaglio, lithography, screenprinting, or relief printmaking. Concentration on the techniques and formats of color printing and sequential image development. Repeatable two times. Pre: (with a minimum grade of B) two of 215, 217, 218, or 316.
Theory and application of color as related to studio practice. Pre: 113.
Studio practice in painting emphasizing contemporary developments in art. Repeatable one time. A-F only. Pre: 223 or consent.
Painting from the model; a survey of the figurative tradition. Repeatable one time. Pre: 123 or 223, and 214.
Glass as an expressive medium. Individual problems; construction of studio equipment. Readings and discussions of contemporary glass issues. Repeatable one time. Pre: Two of the following: 230, 234, 303, 306.
Studio emphasis on handmade papermaking techniques, conceptual exploration in two and three dimensions. Repeatable one time. A-F only. Pre: one fiber course or one of 104, 113, 116; or consent.
Studio exploration of clothing as art form and the body as living armature and performance. Emphasis on development of concept, skill, collaborative and individual voice through material investigation, research, discussions, lectures, individual and group projects. Repeatable one time. A-F only. Pre: one 200-level fiber course, or 116 and one 200-level studio course; or consent.
Studio exploration in contemporary dimensional fiber using both conventional and non-conventional materials and processes. Emphasis on concept development, sensitivity to the evocative potential of materials, context, surface treatment and its relationship to concept and structure. Repeatable one time. A-F only. Pre: one 200 level fiber course or 116 and one 200 level studio course; or consent.
In-depth studio exploration of fiber techniques for patterning and manipulating cloth and other related experimental surfaces. Engages conceptual exploration through experimentation with traditional fiber patterning techniques such as dyeing, resisting, direct printing, embellishment drawing with thread and piercing. Group and individual projects. A-F only. Pre: 113 and 116; or consent.
Sculptural concepts and techniques specifically related to the medium of clay; advanced hand-building, throwing, glazing, and firing techniques. Repeatable one time. Pre: 242 or consent.
Exploration of the ceramic vessel as function, metaphor, and expression. Advanced hand-building, throwing, glazing, and firing techniques. Repeatable one time. Pre: 242 or consent.
Form and surface problems related to earthenware clay bodies and low-temperature glazes; mold-making for ceramics. Repeatable one time. Pre: 242 or consent.
Western ceramics history from chronological, developmental, contextual, and theoretical standpoints; influence of Asian ceramics. Pre: 242, with 175 and 176 recommended; or consent.
Clay body development, glaze development, empirical and calculation methods. Emphasis on glaze maturity, surface, and color. A-F only. Pre: 242, and one of 343, 344, or 345; or consent.
Figure modeling, mold making, and casting. Repeatable one time. Pre: 116 or consent.
The design and construction of objects incorporating movement as an integral element of their content. Repeatable one time. Pre: 116 or consent.
Metal fabrication and development of associated practices, concepts, and historical references. Repeatable one time. Pre: 116 or consent.
Fabrication and casting of forms on a small scale such as jewelry. The development of related practices, concepts, and historical references. Repeatable one time. Pre: 116 or
consent.
The design and construction of objects intended for use/interaction. Emphasis on wood and synthetic materials. Repeatable one time. Pre: 116 or consent.
Contextualization of late 20th/early 21st century sculptural practice, including stylistic and theoretical frameworks, with references to influences of various historical Western and Asian traditions and applying this knowledge in the creation of sculpture. Pre: 116 and 176, or consent.
Design theory and techniques for presentation of artworks and mounting exhibitions. Pre: junior standing.
Introduction to collections management and preservation techniques, incorporating both theoretical and practical approaches, and including hands-on work with the collections of the John Young Museum. Junior standing or higher. A-F only.
Intermediate graphic design. Emphasis on communication problems involving process and analysis. Introduction to modernist precedents and information theory. A-F only. Pre: 113, 116, 175, 176, 265, 266; or consent. Co-requisite: 365L and 366.
Intermediate instruction in the Macintosh computer environment, software, and peripheral devices, including intermediate layout. Introduction to graphic design industry standard multi-media and web design programs. CR/NC only. Pre: 265, 265L, and 266; or consent. Co-requisite: 365.
Intermediate typographic design, exploration of word and text composition in the context of multiple-page structures. A-F only. Pre: 113, 116, 175, 176, 265, 266; or consent. Co-requisite: 365 and 365L.
Intensive study of topics in studio art at a UH Manoa approved study abroad institution. (B) introductory; (C) upper-division. Repeatable one time per alpha. A-F only. Pre: consent.
Arts of Europe from early Christian era to Renaissance. Pre: 175 or consent.
Minoan and Mycenaean arts; Greece and Rome. Pre: 175 or consent. (Cross-listed as CLAS 373)
Architecture, sculpture, and painting of Europe. Pre: 176 or consent.
Major developments, prehistoric through Kamakura; architecture, painting, sculpture. Pre: 175 or consent.
Major developments, Muromachi to modern period; painting, sculpture, architecture. Pre: 176 or consent.
Introduction to the arts and material culture of the Philippines from the pre-colonial to the contemporary period through the examination of sculpture, metalwork, ceramics, textiles, and painting from various ethnolinguistic groups. Sophomore standing or higher. (Cross-listed as IP 382)
Ceramics, sculpture, painting, and architecture; neolithic through Yi periods. Pre: 175 or consent.
A culturally oriented study of Chinese visual arts; emphasis on jade, bronze, secular and religious sculptures, and paintings from prehistory to the 9th century. Pre: 175 or consent.
A culturally oriented study of Chinese visual arts; emphasis on the rise of literati painting and theory individualism in art and theory, garden, and architecture, and the Chinese pursuit of modernity and post-modernity in art. Pre: 176 or consent.
Thematic introduction to sculpture in China from the Neolithic period through the present day. A-F only. Pre: 175.
Intensive study of advanced topics in art history at a UH Mânoa-approved study abroad institution. (B) introductory; (C) upper-division. Repeatable one time per alpha. A-F only. Pre: consent.
Contextual study of art from selected areas in Africa, the Pacific, and North America. Pre: 176 or consent.
Critical analysis of the historical and cultural development of Buddhist and Hindu art in Southeast Asia; (B) island Southeast Asia; (C) mainland Southeast Asia. Repeatable one time for different alphas. Pre: 175 or consent.
Art and architecture of South Asia in historical and cultural context. Art of India and South Asia. Pre: 175 or consent.
Introduction to the methods and approaches of art history. Students will develop skills in perception and comprehension of visual art forms, and a critical understanding of the methods used by art historians to analyze them. A-F only. Pre: 175 and 176 and consent.
History of photography from its beginnings to the present; emphasis on the evolution of photography as an art form; (B) nineteenth century, from the invention of photography through pictorialism; (C) twentieth century, from World War I to the present. Repeatable one time for different alphas. Pre: 176 or consent.
Individual projects; tutorial. Maximum: 3 credit hours per semester; total 3 for BA, 6 for BFA. Pre: two 200-level or above art courses in area of directed work, as well as consent of instructor and department associate chair
Intensive and specialized work at advanced level in fields of special interest of visiting or resident faculty; (B) studio art; (C) art history. Repeatable three times per alpha, up to 12 credits. Junior standing or higher and instructor consent only.
Tutorial studio that encourages exploration in combined and new media through independent work within an environment of theoretical and critical discourse. Repeatable one time. Pre: 301 or consent.
Examination of the role of the artist in society, the artist as self, as community member, as teacher. Professional Practice skills in the arts; planning, grantsmanship, fundraising, budgeting, marketing, outreach, and media relations. ART majors only. Senior standing or graduate students only. A-F only.
Required graduation portfolio for BA Art History and Art Studio students. BA ART majors only. Undergraduates only. CR/NC only. To be taken during the semester prior to expected graduation.
In conjunction with the production of art for the BFA annual exhibition, this seminar will examine, critique, and evaluate the student’s art within the context of contemporary art, professional practices, exhibition theory, and integrate theoretical and practical issues in
the life of an artist. BFA majors only. A-F only. Pre: BFA major or consent. (Spring only)
Explores the related concepts of use, re-use, and radical re-use through an exploration of new applications of traditional fiber techniques and contexts of making. A-F only. Pre: 113 and 116 and one 200-level or above fiber course, and consent. (Cross-listed as SUST 436)
Studio investigation of the definition/ transformation of space through artist intervention.
Emphasis on the evocative potential of materials in context (physical, social, political, psychological) as well as experiments in non-object based interventions. Repeatable one time. A-F only. Pre: two 200-level or above studio courses, or consent.
American art in the first half of the 20th century and its impact on American culture. Junior standing or higher. Pre: 176 or consent. (Alt. years: fall) (Crosslisted as AMST 460)
Advanced graphic design. Emphasis on postmodernist theory, context, audience, and alternative media. A-F only. Pre: 365, 365L, and 366; or consent. Co-requisite: 465L.
Advanced instruction in the Macintosh computer environment, including software and peripheral devices. Instruction in image manipulation and editing still video images for the web, CD, DVD, and portable interface devices. CR/NC only. Pre: 365, 365L, and 366; or consent. Co-requisite: 465.
Advanced typographic design. Exploration of 2D, 3D, electronic, and intermedia. Emphasis on contemporary typographic models. A-F only. Pre: 365, 365L, and 366; or consent.
Advanced techniques in design production from printed and digital media. A-F only. Pre: 465, 465L, and 466; or consent. Co-requisite: 467L. (Spring only)
Advanced study of digital media for graphic designers. Focuses on skills and specific technical information to complement material covered in 467. CR/NC only. Pre: 465 and 465L and 466. Co-requisite: 467. (Spring only)
Individual and team investigations of complex problems in graphic design. Emphasis on projects with actual clients (when available) and/or independent investigations addressing advanced and current questions in the graphic design field. A-F only. Pre: with a minimum grade of B- for (465 and 466) and credit for 465L. (Spring only)
Painting, sculpture, and architecture: (B) early Renaissance in Italy; (C) northern Europe; (D) High Renaissance and mannerism in Italy. Repeatable one time for different alphas. Pre: 176 or consent.
Architecture, sculpture, and painting of Europe in the Baroque and Rococo periods. Pre: 176 or consent.
Emphasis on the 18th and 19th centuries. Pre: 176 or AMST 202 or consent. (Cross-listed as AMST 456)
Development of modern art in Europe 1900–1939. Pre: 176 or consent.
Art since 1945, with a focus on the global expansion of the avantgarde; (B) contemporary art 1945-2000; (C) global contemporary art since 2000. A-F only. Pre: 176 or consent.
Visual form and function of the arts in cultural context: (B) Melanesia and Australia; (C) Polynesia and Micronesia; (D) North Pacific coast Indian, Eskimo. Repeatable one time for different alphas. Pre: 176 or consent.
Visual form and function of arts in cultural context. Mali, Burkina Faso, Ivory Coast, Liberia, Guinea, Nigeria, Ghana, Cameroon, Congo, Zaire. Pre: 176 or consent.
Architecture, sculpture, and textile traditions of indigenous Indonesia in cultural context. A-F only. Pre: 176.
Thematic approaches to contemporary art and visual culture. Course themes may include identity, local/global issues, and appropriation. Repeatable one time. A-F only. Pre: 176 or consent. (Alt. years)
Stylistic and aesthetic characteristics of art of ancient Hawai‘i; relationship to art from other parts of Polynesia. Pre: 176 or consent.
Studies the interpretive strategies and methods used by museums to communicate with visitors in museums, art galleries, historic sites, parks, and related places. Considers how interpretations contribute to cultural knowledge. Repeatable one time. Pre: consent. (Crosslisted as AMST 457)
Ceramics, metalwork, lacquer, and textiles throughout Japanese history. Pre: 175 and 176; or consent.
Explores the recent history of environmental and ecological art; provides a critical framework for the contemporary image politics of environmentalism, ecology, sustainability, and climate change. A-F only. Pre: 176.
History of contemporary art in Hawai‘i: the institutions, artists, critics, and historians that have shaped it. Strong focus on oral history of Hawai‘i artists. A-F only. Pre: 176.
Stylistic and historic development of two-dimensional arts; painting and calligraphy from prehistory through 18th century. Pre: 175 or consent.
Introduction to the arts of China in the modern and contemporary periods, in all media and genres, from 1840 to the present. Pre: 176 or consent.
History of Japanese cinema, including silent films, samurai films, monster films, and literary adaptations, analyzed through the lens of genre and genre theory. A-F only. Pre: 175 and 176. (Summer only)
Focused study of particular periods, regions and critical themes in Southeast Asian art
and architectural history. (B) Angkor & art of Khmer civilization; (C) art & architecture of Thailand; (D) monuments & nationalism in Southeast Asia. Repeatable one time for up to two different alphas. A-F only. Pre: 175, or consent. (Once a year) (D Cross-listed as ANTH 491)
Art and architecture of South Asia in historical and cultural context. Hindu visual culture. Pre: 175 or consent.
Major developments in art and architecture. Pre: 175 or consent.
Seminar on theoretical, ethical and aesthetic issues relating to the practice of photography, past and present. A-F only. Pre: 396B or 396C, or consent.
Major design movements in Europe and America from late 19th century to present; arts and crafts movement, art nouveau, modernist trends of the 20th century. Pre: 176 or consent.
Specific period or national style of cinema studied in its historical context. Repeatable two times. A-F only. Pre: 176 or consent.
Selected topics in art. A critique-based course with emphasis on the development of critical analysis, artistic research, and practice. Repeatable six times. ART majors only. A-F only. Pre: consent.
Selected topics in art. Emphasis on the analysis of the systems by which art is conceived and the ability to define developing direction and related research. ART majors only. A-F only. Pre: 611 or consent. (Spring only)
Selected topics in art. Emphasis on the development of critical analysis and the understanding of one’s position relative to the contemporary art world. ART majors only. A-F only. Pre: 612 or consent. (Fall only)
Selected topics in art. Emphasis on the convergence of one’s studio practice and research, and the refinement necessary to the preparation for entrance into thesis. ART majors only. A-F only. Pre: 613 or consent. (Spring only
Examines processes of inquiry and experimentation within studio practice. Students explore a range of research methods as a way to challenge habitual methodologies and expand notions of art and art making. A-F only. (Fall only)
Explores the physical, historical, symbolic, and contextual capacity of materials, as well as the mutually constitutive roles of artist and materials within the creative process. A-F only. (Spring only)
Observation, analysis and participation in teaching a lower division course under the direction of an instructor in the student’s area of concentration. Repeatable one time. A-F only. Pre: 690, admitted to candidacy for MFA in art, and consent.
An introduction to art historiography, analytical techniques, and research methods and materials. Pre: consent and graduate standing.
Arts from Polynesia, Melanesia, Micronesia explored in context of issues involving belief systems and cultural change. Repeatable one time. A-F only. Pre: 475C or consent.
Research topics in the history of Chinese sculpture, ceramics, bronzes, jade, and textiles. A-F only. Pre: consent.
Research and discussion seminar supporting advanced critical theory in the context
of contemporary art and other creative practice. Pre: consent.
Selected topics in global contemporary art history. Repeatable one time. A-F only. Pre: consent. (Alt. years)
Selected topics in European and American art history. Pre: consent.
Advanced individual projects; advanced tutorial. Maximum: 3 credit hours per semester; total 6 for MA Plan A, 9 for MA Plan B, MFA students must petition OGE for permission
to apply toward degree requirement. Repeatable unlimited times. Pre: consent of instructor and department chair.
Repeatable unlimited times.
Selected topics in Japanese art history. Pre: consent.
Selected topics in South and/or Southeast Asian art and architectural history with an emphasis on Hindu and Buddhist traditions. Repeatable unlimited times. Pre: consent, repeatable with consent.
Investigates artistic representations, appropriations, and exchanges constructed on the basis of East/Orient vs. West/Occident differences. Includes analysis of: Orientalizing artistic traditions throughout history, history and concept of Orient, post-colonial critique of Orientalism. A-F only. Pre: graduate standing or consent. (Alt. 2-3 years) (Cross-listed as ASAN 792)