Introduction to the basic techniques of cinematic digital production and allows them to explore their personal voice in this process. A-F only.
A basic overview of the 3D animation production process, including modeling, texturing, rigging, animation, lighting, and rendering. A-F only. Pre: 255 (or concurrent).
Introduction to traditional styles and methods of hand drawn 2D, digital, and stop motion animation through theory and practice. A-F only. Pre: 255 (or concurrent) and ART 113, or consent.
Introduction to the study of cinema: history, aesthetics, and cultural impact. A-F only.
Production-intensive course with collaborative as well as individual projects. Theories and application of basic digital cinema productions, including camera, lighting, sound, and editing. ACM majors only. A-F only. Pre: 255 (or concurrent).
Comprehensive course in visual styles supporting screen narratives through a study of principles of camera elements, operations, lighting, color and composition. Professional role and responsibilities of cinematographer. Project-oriented. Must have access to manually controlled still camera. ACM majors only. A-F only. Pre: 310.
Provides students an opportunity to experiment with new mediums while collaborating with artists from different backgrounds, such as art, theatre, dance, film, and animation. ACM, ART, THEA, DNCE majors only. Pre: 216 (or concurrent) or ART 113 or THEA 353 (or concurrent) or THEA 356 (or concurrent). (Cross-listed as ART 315 and THEA 314)
Storytelling through computer games. Effect of interactivity on narrative. Interactive plot structures, conceptual design, artwork, audio, cinematography, two- and three dimensional computer graphics. Design and programming of game narrative using scripting languages. ACM majors only. A-F only. Pre: 215 and 216 and B or better in 255, or consent.
Creating the illusion of life through the principles of animation. (B) 3D character animation; (C) 2D animation. ACM majors only. A-F only. Pre: 215 and 216 for (B); 216 for (C). DA
Computer animation directing and cinematography for the design and creation of visual effects. Using particles and dynamics systems to simulate natural phenomena. Compositing of visual layers. ACM majors only. A-F only. Pre: 215. DA
Students work independently to produce a short, animated film. Emphasis on visual storytelling and character animation. ACM majors only. A-F only. Pre: 316B, and 350 or 355.
Exposes students to the history, application, format, styles, and methods of creating storyboards and animatics. Visual storytelling will be analyzed by examining the foundational components of the visual language of a film. ACM majors only. A-F only. Pre: 255 or consent.
Introduction to the history, theory, design and execution of visual effects for the screen. Project-based learning in traditional photographic and digitally-generated special effects. ACM majors only. A-F only. Pre: 215 and 216; or 310.
Fundamentals of producing for independent filmmaking, focusing on business acumen and role of the producer through various stages of production. Topics include proposal writing, script breakdowns, budgeting, scheduling, legal issues, festival strategy, and distribution. ACM majors only. A-F only. Pre: 255; and 310 or (215 and 216).
Introduction to the basics of writing a short narrative screenplay for film or animation. Students learn the fundamentals and format of screenwriting as well as basic elements of storytelling and character development. ACM majors only. A-F only. Pre: 310 (or concurrent) or 215 (or concurrent). DA
Adapting the stories, styles, and cultural values of oral tradition storytelling to cinematic narratives. A-F only. Pre: 350. DA
Aesthetic theories and practices of indigenous cultures of the Pacific and their adaptation to the screen in cinematic storytelling. A-F only. Pre: 255 or consent.
Introduction of the screen-director to the craft of acting for the camera. Students will develop communication skills and learn practical techniques to elicit spontaneous and relaxed performances with actors from the Theatre
program. ACM Majors only. A-F only. Pre: 310 or (215 and 216); and 350 (or concurrent).
Advanced course examining the theory, techniques, and practices of motion picture editing; use of non-linear digital editing systems; and practical experience in digital editing
projects. ACM majors only. A-F only. Pre: 310; or 215 and 216. DA
Practical course on the theory, art, and techniques of sound recording, editing, and design for cinema. Students work on
projects involving dialogue and sound effects in post production. ACM majors only. A-F only. Pre: 372 (or concurrent). DA
Detailed analysis of cinematic grammar, placement, movement, focus, and effects of the camera to create the mise-en-scene. Practical exercises to apply theory to individual creative work and in collaboration with actors from the Theatre program. ACM majors only. A-F only. Pre: (310, or 215 and 216), and 350, and 370. DA
Focus on the concept of genre, genre films, genre film criticism and popular genres such as
Western, film noir, documentary, and Chinese martial arts. A-F only. Pre: 255 or consent.
In-depth study of the auteur theory and specific application to authors in creative media, such as film directors, animators, screenwriters or game designers. A-F only. Pre: 255 or consent.
Intensive study of selected topics, genres, filmmakers, or digital media production in the host country in a UH Mânoa-approved study abroad location. Repeatable one time. A-F only. Pre: 255.
Topics of interest to faculty and students; taught by regular and visiting faculty. Repeatable one time on different topics. ACM majors only. A-F only. Pre: 255 or consent.
Specialized techniques in the creation of digital media: taught by regular and visiting faculty. Repeatable one time in different topics. ACM majors only. A-F only. Pre: 310, or 215 and 216.
Short-term intensive workshop in focused area of media
production. Repeatable up to six credits. ACM majors only. A-F only. Pre: 310, or 215 and 216.
Participation in a group research or creative project under supervision of ACM faculty member. Only six credits of 399/499 in any combination can be applied to meet requirements for the major. A-F only. Repeatable up to six credits. ACM majors only. Pre: 310 or 316B, and 350, and consent.
Participation in a group research or creative project under supervision of ACM faculty member. Only six credits of 399/499 in any combination can be applied to meet requirements for the major. A-F only. Repeatable up to six credits. ACM majors only. Pre: 350 and consent, and one of the following: 310 or 315 or 316B or 316C.
Analysis and practical knowledge of the documentary process including, but not limited to, research, organization and story structure, shooting, camera coverage, and editing. ACM majors only. A-F only. Pre: 310, 350, and one of the following: 312, 330, 370, 372, or 374
Production of a major cinematic/digital narrative project. Working in groups, each student takes on creative and technical role and responsibilities of a principle crew position. Emphasis on artistic form in narrative development; timely execution from pre- to post-production. ACM majors only. A-F only. Pre: 310; 350; and one of 312, 330, 370, 372, or 374.
Applies the basic foundations, techniques, and theory of cinematography (covered in ACM 312) to a more informed and crafted practice with Camera and Lighting Scene study workshops, and research exercises and film projects. ACM majors only. A-F only. Pre: 310 and 312.
Students will learn to develop virtual reality and augmented reality applications with
turnkey tools as well as through programming. Prior programming experience is not required for this course. Pre: any 110(Alpha) or 111 or ACM 215. (Cross-listed as ICS 486).
Student teams produce a short, animated film. Prior knowledge of 2D and 3D media authoring tools and animation techniques is necessary. ACM majors only. A-F only. Pre: 320. DA
Application of narrative principles of character development, story structure, and thematic spine to to screenplays for
live action and animated short films, television, or transmedia projects. ACM majors only. A-F only. Pre: 350. DA
Explores the many relationships between history and film including how film has reflected and shaped society in the past and our relationship to the past. (C) Europe; (E) world/comparative. Repeatable one time for different alphas. (C Cross-listed as HIST 452C); (E Cross-listed as HIST 452E) DH
Theories and studies of indigenous films and creation of a cinematic project based in indigenous cultural and value systems. Students must complete a certification workshop in
camera and editing processes to be enrolled in this course. ACM majors only. A-F only. Pre: 310, 350, and one of the following; 312, 330, 370, 372, or 374.
Ethical theory and dilemmas as reflected in film and filmmaking. Social responsibility for filmmakers. ACM majors only. A-F only. Pre: junior standing and 255.
Students direct a narrative live-action short film from pre-through post-production, learning how to develop a directorial vision and how to implement it through storyboarding, scheduling, and collaborative skill sets. ACM majors only. Pre: 310, 350 and 370. DA
Builds upon the beginning and advanced screenwriting classes. Students will acquire knowledge and technical skills through critiquing feature length screenplays. Students will write a feature length screenplay that reflects their unique voice. Repeatable one time. ACM majors only. Junior standing or higher. Pre: 350 and 450.
Involves close textual analysis of film, TV and multimedia content. The course includes cinematic and television screenings. Junior standing or higher. A-F only. Pre: 255 or consent.
In-depth study of the nature and impact of documentary filmmaking in America, focusing on the interplay between filmmaker, subject, and audience. Will critically examine documentaries for their use of rhetoric, ethics, and narrative voice. Junior standing only. A-F only. Pre: 255 or consent.
Introduction to data visualization through practical techniques for turning data into images to produce insight. Topics include: information visualization, geospatial visualization, scientific visualization, social network visualization, and medical visualization. Junior standing or higher. Pre: 215 or ICS 110(Alpha) or ICS 111. (Cross-listed as DATA 484 and ICS 484)
Intellectual issues in creative media. Conducted by regular and visiting faculty with extensive student participation and scholarly presentation. Repeatable one time on different topics. ACM majors only. A-F only. Pre: 255 and junior standing, or consent.
Emphasis on advanced production skills in creating a capstone project in live-action fiction film, animation, documentary, or new media. Screenwriting students may also develop a feature screenplay or television pilot and series bible. Repeatable one time. ACM majors only. Pre: 405 or 410 or 420 or 455 or 475. DA
Students will team design, build, and demonstrate video games or related interactive entertainment environments and applications. Topics will include emerging computer science techniques relevant to the development of these types of environments. Junior
standing or higher. Pre: any 215 or ICS 110(Alpha) or ICS 111. (Cross-listed as ICS 485)
Involves close textual analysis and strategic analysis of the globalism phenomenon, with an emphasis on transnational media corporations. ACM majors only. A-F only. Pre: 255 or consent. (Fall only)
Internship in professional cinematic, television, animation and/or digital media production company under professional
and faculty supervision. Repeatable up to six credits. ACM majors only. A-F only. Pre: 310 or 315 or 316B or 316C; and 350.
Independent research or creative project under the supervision of an ACM
faculty member. Only six credits of 399/499 in any combination can be applied to meet requirements for the major. Repeatable up to six credits. ACM majors only. Pre: 310 or 315 or (215 and 216); and 350.