Staff and Board

Staff
 

An alumna of and former faculty member at the Center for Pacific Islands Studies (CPIS) at the University of Hawaiʻi–Mānoa and the first woman to serve as editor of The Contemporary Pacific, Professor Katerina Teaiwa is an interdisciplinary scholar, artist, and award-winning teacher of Banaban, I-Kiribati, and African American heritage born and raised in Fiji. She is a professor of Pacific studies in the School of Culture, History and Language at the Australian National University’s College of Asia and the Pacific and a senior fellow of the Higher Education Academy. Professor Teaiwa’s research is deeply interdisciplinary and Pacific centered; she engages histories of British, Australian, and New Zealand phosphate mining in the central Pacific by interweaving dance, archival and historical research, mixed-media arts, and storytelling.

Candice Steiner is the journal’s managing editor. She has an MA in ethnomusicology and certificate in Pacific Islands studies from the University of Hawai‘i at Mānoa. Her research interests include the music and dance of Tokelau and its diaspora and Pacific Islands representation in film music. Prior to becoming managing editor in 2019, she served as CPIS’s graduate assistant for publications from 2010 to 2016 and cofounded the center’s student writing program, Write Oceania, with former managing editor Jan Rensel.

Terri-Lee Bixby is the assistant to the journal’s managing editor. 

 
Board

Director of the Center for Pacific Islands Studies, University of Hawai'i: Alexander Mawyer

Editorial Board

Editor:  Katerina Teaiwa, College of Asia and the Pacific, Australian National University
Oceania in Review Editor: Lorenz Gonschor, School of Law and Social Sciences, University of the South Pacific, Fiji
Book and Media Reviews Editor: Joseph H Genz, Department of Anthropology, University of Hawai'i–Hilo
Arts Editor: Katerina Teaiwa, College of Asia and the Pacific, Australian National University
Resources Editor: Stuart Dawrs, Pacific Collection, Hamilton Library, University of Hawai'i
Managing Editor: Candice Steiner, Center for Pacific Islands Studies, University of Hawai'i

Members

Vilsoni Hereniko, Academy for Creative Media, University of Hawai'i
Tarcisius Kabutaulaka, Center for Pacific Islands Studies, University of Hawai‘i
Monica C LaBriola, Department of History, University of Hawai‘i
Sa‘iliemanu Lilomaiava-Doktor, Division of Humanities, University of Hawai‘i–West O‘ahu
Davianna McGregor, Department of Ethnic Studies, University of Hawai'i
Foley Pfalzgraf, Center for Pacific Islands Studies, University of Hawai‘i
Lola Quan Bautista, Center for Pacific Islands Studies, University of Hawai'i
Noenoe Silva, Department of Political Science, University of Hawai'i
Julianne Walsh, Center for Pacific Islands Studies, University of Hawai'i

Correspondents

Keith Camacho, University of California–Los Angeles, United States
Vicente M Diaz, University of Minnesota–Twin Cities, United States
Gerard Finin, Cornell University, United States
Stewart Firth, The Australian National University
Hilda Heine, President, Republic of the Marshall Islands
Edvard Hviding, University of Bergen, Norway
Nic Maclellan, Researcher and Journalist, Melbourne
Cluny Macpherson, Massey University at Albany, New Zealand
Selina Tusitala Marsh, University of Auckland, New Zealand
Mac Marshall, University of Iowa, United States
Mālama Meleiseā, National University of Samoa
Margaret Mutu, University of Auckland, New Zealand
Margaret Critchlow Rodman, University of York, Canada
Jacob Simet, National Cultural Commission, Papua New Guinea
Konai Helu Thaman, University of the South Pacific, Fiji
Eric Waddell, Université Laval, Québec, Canada

Designers

Barbara Pope is responsible for TCP's interior design and format and cover design for 1(1-2) -- 15(1).
Stacey Leong Mills has provided the journal's cover design from issue 15(2) through 32(2).
Subsequent covers were provided by Aaron Lee (33[1] through 34[2]) and Donovan Kūhiō Colleps (35[1&2]).


 

Image shows art rendered in opaque watercolor, depicting several persons making barkcloth in muted jewel tones and in a somewhat abstract style
Kapa Maker (2004) by Solomon Enos

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