2010 22(1) & 22(2)
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| Spring 22(1) Articles From Full Dusk to Full Tusk: Reimagining the “Dusky Maiden” through the Visual Arts A Marata Tamaira A “Headless” Native Talks Back: Nidoish Naisseline and the Kanak Awakening in 1970s New Caledonia David Chappell Dialogue Miracle Workers and Nationhood: Reinhard Bonnke and Benny Hinn in Fiji Lynda Newland Epeli’s Quest: Essays in Honor of Epeli Hau‘ofa Edited by Terence Wesley-Smith, Contributions by Ratu Joni Madraiwiwi, Teresia Teaiwa, Geoffrey White, Tarcisius Kabutaulaka, Steven Edmund Winduo, Vijay Naidu, and Vilsoni Hereniko Political Reviews Micronesia in Review: Issues and Events, 1 July 2008 to 30 June 2009 John R Haglelgam, David W Kupferman, Kelly G Marsh, Samuel F McPhetres, Donald R Shuster, Tyrone J Taitano Polynesia in Review: Issues and Events, 1 July 2008 to 30 June 2009 Lorenz Gonschor, Iati Iati, Jon Tikivanotau M Jonassen, Margaret Mutu Book and Media Reviews Jean-Marie Tjibaou, Kanak Witness to the World: An Intellectual Biography, by Eric Waddell Reviewed by Harold Brookfield Transpacific Imaginations: History, Literature, Counterpoetics, by Yunte Huang Reviewed by John Eperjesi The Future of Indigenous Museums: Perspectives from the Southwest Pacific, edited by Nick Stanley Reviewed by Katherine Higgins Fast Talking pi, by Selina Tusitala Marsh; I Can See Fiji: Poetry and Sounds, by Teresia Teaiwa Reviewed by ku‘ualoha ho‘omanawanui Moonlight Leta Volume 1: Musical Transitions (Marshallese String Band Music Today and Yesterday) [compact disc] Reviewed by David Kammerer We Are the Ocean: Selected Works, by Epeli Hau‘ofa Reviewed by Eric Waddell Red Wave: Space, Process, and Creativity at the Oceania Centre for Arts and Culture, by Katherine Higgins Reviewed by Sean Mallon Le spectacle de la culture: Globalisation et traditionalismes en Océanie, by Alain Babadzan Reviewed by Grant McCall Shiro’s Head [feature film] Reviewed by Joel Moffett Featured Artist: Sue Pearson Sistah Hihi (2008), by Sue Pearson Norfolk Island artist Sue Pearson is a descendent of the mutineers of the HMS Bounty and the Tahitian women who settled on Pitcairn Island, and later Norfolk Island. In 1988, she received a bachelor’s degree in visual arts from Newcastle University in Australia. During her time there, she was introduced to a wide range of art mediums, of which printmaking became her principle mode of artistic expression. | Fall 22(2) Albert Wendt’s Critical and Creative Legacy in Oceania: An Introduction Teresia Teaiwa and Selina Tusitala Marsh Sega 1 Dan Taulapapa McMullin He Mele Aloha Brandy Nālani McDougall E-mailing Albert Selina Tusitala Marsh Not E-mailing Albert: A Legacy of Collection, Connection, Community Alice Te Punga Somerville Owed Monica Ka‘imipono Kaiwi Song of the Banyan Tree Sia Figiel Tom Marisa Maepu Inside Us the Dead (The NZ-born Version) Karlo Mila Vārua Tupu Robert Sullivan He Aloha no Nā Kalo ku‘ualoha ho‘omanawanui Tatz ku‘ualoha ho‘omanawanui After ‘Aoga Lily Laita Letter to the Editor [a work in progress] Cresantia Frances Koya Where it is all AT Tracey Tawhiao Gifted Flows: Making Space for a Brand New Beat April K Henderson Monsieur Cochon Dan Taulapapa McMullin I dream of Nahnep and the blue-eyed sailor Emelihter Kihleng Toru Keith L Camacho Te Awaroa (The Valley of the Long River) Serie Barford Cowboys in the House of Polynesia Damon Salesa In the Shade of the Banyan Tree Susan Y Najita Against Tradition Sean Mallon A Search for the New Oceania Graeme Whimp The New Oceania: A Selected Bibliography Graeme Whimp Pouliuli 8 Doug Poole Sione Tapili Ant Sang Political Reviews The Region in Review: International Issues and Events, 2009 Nic Maclellan Melanesia in Review: Issues and Events, 2009 David Chappell, Jon Fraenkel, Solomon Kantha, Gordon Leua Nanau, Howard Van Trease, Muridan Widjojo Book and Media Reviews Hailans to Ailans: Contemporary Art of Papua New Guinea [exhibit] Reviewed by Jewel Castro American Aloha: Cultural Tourism and the Negotiation of Tradition, by Heather A Diamond Reviewed by Alexis Celeste Bunten Decolonizing Cultures in the Pacific: Reading History and Trauma in Contemporary Fiction, by Susan Y Najita Reviewed by Alice Te Punga Somerville Tapa Talk, by Serie Barford A Well Written Body, by Karlo Mila, with paintings by Delicia Sampero Reviewed by Robert Sullivan Hā: Breath of Life [performance at the Polynesian Cultural Center] Reviewed by Chai Blair-Stahn Cheap Meat: Flap Food Nations in the Pacific Islands, by Deborah Gewertz and Frederick Errington Reviewed by Larry M Lake Traditional Micronesian Societies: Adaptation, Integration, and Political Organization, by Glenn Petersen Reviewed by Lin Poyer Featured Artist: Michel Tuffery O le La (1999), by Michel Tuffery Michel Tuffery was born in 1966 in Wellington, New Zealand, of Samoan, Cook Islander, and Tahitian descent. His current practice as a multimedia artist may only hint at his training as a printmaker at the Dunedin School of Art at Otago Polytechnic (1986–1989). His first exhibition, a series of black and white and color reduction woodcuts on tapa and paper, was held at the Tautai Gallery/Maota Samoa in Auckland in 1988.In 2008 Michel was made a member of the New Zealand Order of Merit in the Queen’s Honours List for services to the arts. For more information, please see his website: http://www.micheltuffery.co.nz |