Dr. Stirr is Associate Professor in Asian Studies at the University of Hawaii at Manoa.
Email: firstname.lastname@example.org, Tel. (808) 956-9087.
- B.A., Music and Religious Studies, Lawrence University, 2002
- M.A., Ethnomusicology, Columbia University, 2005
- Ph.D., Ethnomusicology, Columbia University, 2009
Anna’s research focuses on South Asia, particularly on Nepal and the Himalayan region. She is currently working on two projects that deal with love, intimacy, and politics in Nepal. The first looks at improvised dohori question-answer songs as culturally intimate, gendered expressions of ideas of nation and heritage, within a cycle of migration and media circulation that spans the globe. The second chronicles the history of Nepal’s politically oppositional “progressive song” from the 1960s to the present, with a focus on ideas of love, development, and communist thought as interrelated ways of imagining a better future. Articles from these projects have appeared in various journals and edited volumes. Anna also maintains an active research interest in the relationship between music, religion, politics and public culture in South Asia and the Himalayas.
Along with teaching and researching about music, Anna is also active as a performer. After a bachelor’s degree in western classical flute performance, she has studied Hindustani classical bansuri flute with Steve Gorn and Jeevan Ale, and has learned the folk style of bansuri performance through musical interaction with many Nepali performers during her fieldwork. As a singer, she has studied the Hindustani classical tradition with Prabhu Raj Dhakal in Nepal and Ustad Mehboob Nadeem in London, and she learned Nepali folk and dohori song as she learned the flute styles, in the informal oral tradition. Her formal instruction in Nepali folk music has been with Khadga Bahadur Budha Magar on the madal drum, and she believes that knowledge of percussion provides a firm foundation for a broader grasp of any musical style. She is working on compiling and translating the Nepali folk music teaching materials created by her teachers as well as the late musicologist Subi Shah.
Prior to joining the UH faculty she held postdoctoral positions in ethnomusicology and anthropology at Oxford University, and in Asian Studies at Leiden University. As a teacher, Anna is excited to introduce students to the diverse worlds of Asian performing arts, and to broader themes in Asian cultures and history, from various perspectives in the social sciences and humanities.
- ASAN 101 Introduction to Asian Studies
- ASAN 310 Asian Humanities
- ASAN 320I Asian Nation Studies: South Asia
- ASAN 320Z Asian Nation Studies: Himalayas
- ASAN 411 Islam in Contemporary Asia (concurrent with ASAN 611)
- ASAN 478/MUS 478H: Music in South Asia
- ASAN 491G Inter-Asia Migration and Mobility
- ASAN 600I Approaches to Asian Studies: South Asia
- ASAN 611 Islam in Contemporary Asia
- ASAN 620I Asia, Arts, and the Public Sphere
- ASAN 623 Gender and Asian Performing Arts
- ASAN 654 South Asia Now
- ASAN 750 Research Seminar in Asian Studies
- Recent independent studies have focused on South Asian Dance (ASAN 499, 699), Modern Tibet (ASAN 699), Modern Nepal (ASAN 699), and Nepali Language (IPLL 101-102)
- Singing Across Divides: Music and Intimate Politics in Nepal (Oxford University Press, 2017).
- “Music and Cultural Policy in Nepal: Views from Lok Dohori.” European Bulletin of Himalayan Research 48, 2016, pp. 43-76.
- “Sounding and Writing a Nepali Public Sphere: The Music and Language of Jhyaure.” Asian Music 46(1), 2015.
- “Tears for the Revolution: Nepali Musical Nationalism, Emotion, and the Maoist Movement.” In Marie LeComte-Tilouine, ed. Revolution in Nepal. Oxford and New Delhi: Oxford University Press, 2013.
- “Class Love and the Unfinished Transformation of Social Hierarchy in Nepali Communist Songs”. In Robert Adlington, ed. Red Strains: Music and Communism Outside the Communist Bloc. (Proceedings of the British Academy). Oxford: Oxford University Press, 2013.
- “Changing the Sound of Nationalism in Nepal: Deuda and the Far West.” South Asian Popular Culture 10(3), 2012.
- “Singing Dialogic Space Into Being: Communist Language and Democratic Hopes at a Dohori Competition on Radio Nepal.” Studies in Nepali History and Society 15(2), 2010.
- “May I Elope”: Song Words, Social Status, and Honor among Female Nepali Dohori Singers. Ethnomusicology 54(2):257-280, 2010.
- “Dohori in the New Nepal.” World Literature Today 82(1):30-37, 2008.
- “Blue Lake: Tibetan Popular Music, Place, and Fantasies of the Nation.” In Robert Barnett and Ronald Schwartz, eds. Tibetan Modernities: Notes from the Field on Cultural and Social Change. Leiden: Brill, 2008.
- “Dohori on Sajha.com: Music Videos and the Politics of Memory.” In Social Sciences in a Multicultural World: Proceedings of the International Conference, 11-13 December 2006. Kathmandu: Sociological/Anthropological Society of Nepal (SASON) & Swiss National Centre of Competence in Research (NCCR), 2007.