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Spring 30(1) Articles “What Now, Fishgate?” Scandal, Marae Moana, and Nation Making in the Cook Islands “Living Other-wise”: The Bushmen Farming Network as an Example of “Alter-native” Counter Practices to Agriculture and Development Repackaging Tradition in Tahiti? Mono‘i and Labels of Origin in French Polynesia Resources Making Pacific Languages Discoverable: A Project to Catalog the University of Hawai‘i at Mānoa Library Pacific Collection by Indigenous Languages Political Reviews Micronesia in Review: Issues and Events, 1 July 2016 to 30 June 2017 Polynesia in Review: Issues and Events, 1 July 2016 to 30 June 2017 Book and Media Reviews Moana [feature film] Making the Modern Primitive: Cultural Tourism in the Trobriand Islands, by Michelle MacCarthy Artefacts of Encounter: Cook’s Voyages, Colonial Collecting, and Museum Histories, edited by Nicholas Thomas, Julie Adams, Billie Lythberg, Maia Nuku, and Amiria Salmond The White Possessive: Property, Power, and Indigenous Sovereignty, by Aileen Moreton-Robinson Mothers’ Darlings of the South Pacific: The Children of Indigenous Women and U.S. Servicemen, World War II, edited by Judith Bennett and Angela Wanhalla The Battle over Peleliu: Islander, Japanese, and American Memories of War, by Stephen C Murray For a Song, by Rodney Morales From “Stone Age” to “Real Time”: Exploring Papuan Temporalities, Mobilities and Religiosities, edited by Martin Slama and Jenny Munro Summer Pops with the Modern Māori Quartet [performance] Honolulu Biennial [exhibition] Iep Jaltok: Poems from a Marshallese Daughter, by Kathy Jetñil-Kijiner
Featured Artist: Maika‘i Tubbs
Maika‘i Tubbs began making art from recycled trash in New York, where he noticed trash bags piled as tall as him appearing and disappearing daily. Having earned a BFA in painting from the University of Hawai‘i at Mānoa in 2002, he moved to New York for graduate studies at Parsons School of Design, where he completed an MFA in 2015. Much of his early work includes sculpture and installations with melted and repurposed plastics, whose color and sheen remain in the finished work. More recent installations include rocks made from fusions of beach plastic, cigarette butts, cardboard, plastic shopping bags, Styrofoam, and other trash materials, inspired by “plastiglomerate,” an anthropogenic stone that geologists identify as a by-product of human pollution. |
Fall 30(2) Articles Whose Paradise? Encounter, Exchange, and Exploitation Beyond Paradise? Retelling Pacific Stories in Disney’s Moana Polyface in Paradise: Exploring the Politics of Race, Gender, and Place Kalissa Alexeyeff and Yuki Kihara Contested Paradise: Dispossession and Repossession in Hawai‘i Disaster, Divine Judgment, and Original Sin: Christian Interpretations of Tropical Cyclone Winston and Climate Change in Fiji Selling “Sites of Desire”: Paradise in Reality Television, Tourism, and Real Estate Promotion in Vanuatu Beyond a 3S Approach to Marketing Island Nations? Destination Marketing and Experiences from Timor-Leste Political Reviews The Region in Review: International Issues and Events, 2017 Melanesia in Review: Issues and Events, 2017 Book and Media Reviews The Power of the Steel-Tipped Pen: Reconstructing Native Hawaiian Intellectual History, by Noenoe K Silva Archipelagic American Studies, edited by Brian Russell Roberts and Michelle Ann Stephens Marking Indigeneity: The Tongan Art of Sociospatial Relations, by Tēvita O Ka‘ili Postcards from Oceania: Port Towns, Portraits and the Picturesque during the Colonial Era, by Max Quanchi and Max Shekleton Tautai: Sāmoa, World History, and the Life of Ta‘isi O. F. Nelson, by Patricia O’Brien Mele Murals [documentary] Sinuous Objects: Revaluing Women’s Wealth in the Contemporary Pacific, edited by Anna-Karina Hermkens and Katherine Lepani Oceanian Journeys and Sojourns: Home Thoughts Abroad, edited by Judith A Bennett
Featured Artist: Mariquita "Micki" Davis
Micki Davis is a Chamorro video artist based in Los Angeles who also produces digital books, performances, sculptures, and gallery installations. After being awarded a BFA from the University of Georgia in 2006 and an MFA from the Visual Arts Department at the University of California–San Diego in 2011, she has exhibited and collaborated on projects with artist collectives, museums, and publishers including Dashboard (Atlanta, GA); The Range (Saguache, CO); Oceanside Museum of Art (Oceanside, CA); and There Goes the Neighborhood (San Diego, CA). |