
![]() |
![]() |
Spring 21(1) Editor’s Note Articles Beyond “Migration”: Samoan Population Movement (Malaga) and the Geography of Social Space (Vā) The Red Wave Collective: The Process of Creating Art at the Oceania Centre for Arts and Culture Katherine Higgins Dialogue A Well with No Water The “Sea of Little Lands”: Examining Micronesia’s Place in “Our Sea of Islands” Political Reviews Micronesia in Review: Issues and Events, 1 July 2007 to 30 June 2008 Polynesia in Review: Issues and Events, 1 July 2007 to 30 June 2008 Book and Media Reviews Pacific Performances: Theatricality and Cross-Cultural Encounter in the South Seas, by Christopher B Balme Waikīkī: A History of Forgetting and Remembering, by Andrea Feeser and Gaye Chan Island of Shattered Dreams, by Chantal T Spitz Solomon Island Years: A District Administrator in the Islands 1952–1974, by James L O Tedder Security and Development in the Pacific Islands: Social Resilience in Emerging States, edited by M Anne Brown The Insular Cases and the Emergence of American Empire, by Bartholomew H Sparrow Eagle vs Shark [feature film] Resistance: An Indigenous Response to Neoliberalism, edited by Maria Bargh Memories of War: Micronesians in the Pacific War, by Suzanne Falgout, Lin Poyer, and Laurence M Carucci The Growth and Collapse of Pacific Island Societies: Archeological and Demographic Perspectives, edited by Patrick V Kirch and Jean-Louis Rallu Featured Artist: Lingikoni Vaka‘uta
As an economics student at the University of the South Pacific (USP), Lingikoni Vaka‘uta never imagined he would become an artist. Nearly finished with his degree yet unsatisfied, he joined the first painting workshop at the Oceania Centre for Arts and Culture in 1998. He was given a piece of canvas and told to tell his story. Unexpectedly, he found inspiration in his memories of growing up in Lapaha, Tonga, and an answer to what had been missing. What emerged were the beginnings of a style inspired by Tongan practices, legends, and heritage. |
Fall 21(2) Articles Modernity, Cosmopolitanism, and the Emergence of Middle Class in Tonga Sustainability of the Kava Trade Remembering Greg Dening Political Reviews The Region in Review: International Issues and Events, 2008 Melanesia in Review: Issues and Events, 2008 Book and Media Reviews Bridging Our Sea of Islands: French Polynesian Literature within an Oceanic Context, by Kareva Mateata-Allain House-Girls Remember: Domestic Workers in Vanuatu, edited by Margaret Rodman, Daniela Kraemer, Lissant Bolton, and Jean Tarisesei Une pirogue pour le Paradis: Le culte de John Frum à Tanna (Vanuatu), by Marc Tabani The Future of Tokelau: Decolonising Agendas 1975–2006, by Judith Huntsman with Kelihiano Kalolo We Fought the Navy and Won: Guam’s Quest for Democracy, by Doloris Coulter Cogan Politics and State Building in Solomon Islands, edited by Sinclair Dinnen and Stewart Firth Nā Kua‘āina: Living Hawaiian Culture, by Davianna Pōmaika‘i McGregor Consequential Damages of Nuclear War: The Rongelap Report, by Barbara Rose Johnston and Holly M Barker Morning Comes So Soon [dvd] Penina Uliuli: Contemporary Challenges in Mental Health for Pacific Peoples, edited by Philip Culbertson, Margaret Nelson Agee, and Cabrini ‘Ofa Makasiale Featured Artist: Daniel Waswas
Daniel Waswas is a celebrated Papua New Guinean artist, educator, and the founder of GalleryPNG and Kingdom Power Ministries. He completed a master’s degree in fine arts from the University of Auckland, New Zealand, and a bachelor’s degree in art and design from Whitecliffe College of Art and Design, also in Auckland. He also holds a certificate in adult education from Auckland’s Manukau Institute of Technology. Daniel’s work has been exhibited in major international exhibitions including the Asia Pacific Triennial of Contemporary Art, at Queensland Art Gallery, in Brisbane, Australia, and The Latitudes 2005: Terres du Pacifique (Contemporary Art from Pacific), at Hotel de Ville de Paris, France. |