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Spring 22(1) Articles From Full Dusk to Full Tusk: Reimagining the “Dusky Maiden” through the Visual Arts A “Headless” Native Talks Back: Nidoish Naisseline and the Kanak Awakening in 1970s New Caledonia Dialogue Miracle Workers and Nationhood: Reinhard Bonnke and Benny Hinn in Fiji Epeli’s Quest: Essays in Honor of Epeli Hau‘ofa Political Reviews Micronesia in Review: Issues and Events, 1 July 2008 to 30 June 2009 Polynesia in Review: Issues and Events, 1 July 2008 to 30 June 2009 Book and Media Reviews Jean-Marie Tjibaou, Kanak Witness to the World: An Intellectual Biography, by Eric Waddell Transpacific Imaginations: History, Literature, Counterpoetics, by Yunte Huang The Future of Indigenous Museums: Perspectives from the Southwest Pacific, edited by Nick Stanley Fast Talking pi, by Selina Tusitala Marsh; I Can See Fiji: Poetry and Sounds, by Teresia Teaiwa Moonlight Leta Volume 1: Musical Transitions (Marshallese String Band Music Today and Yesterday) [compact disc] We Are the Ocean: Selected Works, by Epeli Hau‘ofa Red Wave: Space, Process, and Creativity at the Oceania Centre for Arts and Culture, by Katherine Higgins Le spectacle de la culture: Globalisation et traditionalismes en Océanie, by Alain Babadzan Shiro’s Head [feature film] Featured Artist: Sue Pearson
Norfolk Island artist Sue Pearson is a descendent of the mutineers of the HMS Bounty and the Tahitian women who settled on Pitcairn Island, and later Norfolk Island. In 1988, she received a bachelor’s degree in visual arts from Newcastle University in Australia. During her time there, she was introduced to a wide range of art mediums, of which printmaking became her principle mode of artistic expression.
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Fall 22(2) Albert Wendt’s Critical and Creative Legacy in Oceania: An Introduction Sega 1 He Mele Aloha E-mailing Albert Not E-mailing Albert: A Legacy of Collection, Connection, Community Owed Song of the Banyan Tree Tom Inside Us the Dead (The NZ-born Version) Vārua Tupu He Aloha no Nā Kalo Tatz After ‘Aoga Letter to the Editor [a work in progress] Where it is all AT Gifted Flows: Making Space for a Brand New Beat Monsieur Cochon I dream of Nahnep and the blue-eyed sailor Toru Te Awaroa (The Valley of the Long River) Cowboys in the House of Polynesia In the Shade of the Banyan Tree Against Tradition A Search for the New Oceania The New Oceania: A Selected Bibliography Pouliuli 8 Sione Tapili Political Reviews The Region in Review: International Issues and Events, 2009 Melanesia in Review: Issues and Events, 2009 Book and Media Reviews Hailans to Ailans: Contemporary Art of Papua New Guinea [exhibit] American Aloha: Cultural Tourism and the Negotiation of Tradition, by Heather A Diamond Decolonizing Cultures in the Pacific: Reading History and Trauma in Contemporary Fiction, by Susan Y Najita Tapa Talk, by Serie Barford Hā: Breath of Life [performance at the Polynesian Cultural Center] Cheap Meat: Flap Food Nations in the Pacific Islands, by Deborah Gewertz and Frederick Errington Traditional Micronesian Societies: Adaptation, Integration, and Political Organization, by Glenn Petersen Featured Artist: Michel Tuffery
Michel Tuffery was born in 1966 in Wellington, New Zealand, of Samoan, Cook Islander, and Tahitian descent. His current practice as a multimedia artist may only hint at his training as a printmaker at the Dunedin School of Art at Otago Polytechnic (1986–1989). His first exhibition, a series of black and white and color reduction woodcuts on tapa and paper, was held at the Tautai Gallery/Maota Samoa in Auckland in 1988. In 2008 Michel was made a member of the New Zealand Order of Merit in the Queen’s Honours List for services to the arts. For more information, please see his website: http://www.micheltuffery.co.nz |