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Dr. Maya Hoover

Professor of Music

Praised for her vocal beauty and warm middle range, mezzo-soprano Maya Hoover enjoyed a diverse 2015–16 season, featuring concerts on O‘ahu and Maui with renowned soprano Sumi Jo and the Hawai‘i Symphony Orchestra (HSO); Brahms’ Alto Rhapsody and Beethoven’s Symphony No. 9 with the Greeley Philharmonic Orchestra (Colorado); a recital in Vernon, France with pianist Mary Dibbern; The Magic Flute (Second Lady) and Il Trovatore (Inez) with Hawai‘i Opera Theatre (HOT); a gala concert with Opera NEO (San Diego); a chamber music tour of China; and a recital with longtime partner, pianist José Meléndez.

Other highlights include Beethoven’s Symphony No. 9 and Falla’s El sombrero de tres picos (HSO); Der fliegende Holländer (HOT); Verdi’s Requiem (Tuscia Operafestival, Viterbo, Italy); Wagner’s Wesendonck Lieder (Wagner Society of Hawai‘i); Respighi’s Il tramonto and Simon Sargon’s Shemà (Chamber Music Hawai‘i); and Schoenberg’s Pierrot Lunaire (Chamber Music Hawai‘i), in a production staged by Henry Akina. International appearances include Festival Mozart y Beethoven, Festival Internacional Bach, and Festimúsica Internacional (Peru); Songs Across the Americas Festival (Bolivia); Bellingham Festival of Music; Bloomington Early Music Festival; Escuela de Artes Musicales, Universidad de Costa Rica; Auditorio Fabio Lozano (Bogotá, Colombia); and Teatro Municipal (Trujillo, Peru).

As a recitalist, she has performed regularly with pianist José Meléndez for almost two decades in innovative programs frequently highlighting Latin American, Spanish, and other outstanding lesser-known works. She holds a Doctor of Music degree in Voice Performance and Literature with a minor in Music Education from Indiana University, a Master of Music degree from Westminster Choir College, and a Bachelor of Music degree with a minor in Italian Language and Literature from Binghamton University. She has studied with Mary Burgess, Laura Brooks Rice, Patricia Havranek, Virginia Zeani, and Andrea DelGiudice. Her publications have appeared in Classical Singer, The Mentoring Connection, and the Philosophy of Music Education Review, and her book Guide to the Latin American Art Song Repertoire: An Annotated Catalog of Twentieth-Century Art Songs for Voice and Piano (Indiana University Press) was released in March 2010. In August 2007, she joined the distinguished faculty of the University of Hawai‘i at Mānoa, where she serves as Professor of Music with a world-class faculty.