The UH Mānoa Department of Theatre and Dance is home to the largest university-based Asian theatre program in the world and is renowned for its training programs. With roots that reach back to 1923, the Asian Theatre Program today offers rigorous and exciting training and instruction in three areas—Japanese, Chinese, and South and Southeast Asian theatre.
The faculty experts in these fields are widely recognized and honored for their scholarship, creative work, and diligent service in designing and directing programs and productions which bring master artists from around the world into the department to train student performers, designers and musicians. From these programs have resulted some of the most outstanding Asian theatre productions to be seen outside of their respective countries of origin.
Elizabeth Wichmann-Walczak, professor and director of the Asian Theatre program, was the first non-Chinese to perform Jingju in the People’s Republic of China and is the first honorary (and first non-Chinese) member of the National Xiqu (“Chinese opera”) Institute. She is also the recipient of Jingju’s Golden Chrysanthemum Award, the equivalent of America’s lifetime-achievement Tony Award, for outstanding achievements in promoting and developing Jingju.
The concept that “it takes a village” rings true for putting on kabuki performances in Honolulu and, in particular, at the University of Hawai‘i at Mānoa. Students began performing kabuki plays back in 1924, and have continued to work with and learn from members of visiting troupes from Japan, and community members who have studied with dedicated performers from that country.
The rich tradition continues until this day. The traditional Japanese drama of kabuki, performed with highly stylized singing and dancing, has a performance history in Hawai‘i dating back to 1893, when a touring kabuki troupe entertained more than 20,000 Japanese immigrants in the islands. UH Mānoa has the distinction of being the only university in the country that puts on English-language kabuki productions on a regular basis.
The curtains next rise on Friday, April 8, 2011, when UH Mānoa’s 31st kabuki performance, The Vengeful Sword (Ise Ondo Koi no Netaba), opens at the John F. Kennedy Theatre. The tale is about the journey of a samurai in search of an important missing heirloom sword and what happens when he discovers its bloodthirsty nature. Fully staged, beautifully costumed, and with live authentic music and stylized fighting, the production covers everything from love to comedy to high drama.
For The Vengeful Sword, kabuki percussion expert Kashiwa Senjiro has traveled from Tokyo, Japan to spend a one-month residency in Mānoa leading up to the performances. While here, he is helping to hone student percussion skills via training in the specialized narimono percussion that accompanies the kabuki play. Respected production choreographer Onoe Kikunobu, who began her own training with Japanese kabuki troupes that toured O‘ahu in the 1930s, is production choreographer—a role she has been performing for UH Mānoa since the 1950s. Assisting her is Onoe Kikunobukazu, a longtime veteran who will also lead the nagauta shamisen ensemble.
“Hawaii kabuki exists because of community involvement,” said UH Mānoa Associate Professor Julie Iezzi, who specializes in the study and performance of traditional Japanese theater. Thus, if it “takes a village” to put on a kabuki performance, UH Mānoa will be filled with some very happy kabuki-loving villagers starting April 8. For more information on The Vengeful Sword and other Kennedy Theatre productions, visit http://www.hawaii.edu/kennedy/.
For more information, contact Tracy Robinson at (808) 956-2598 or email@example.com.
Top photo: The dutiful samurai, Fukuoka Mitsugi (played by James Schrmer), confronts his foe Aidamaya Kitaroku (Murray Husted) in The Vengeful Sword.