Christina Gerhardt

Assistant Professor
1890 East-West Road
Moore Hall 453
Honolulu  HI  96822

Phone: (808) 956-4182
Fax: (808) 956-9536
E-mail: christina.gerhardt@hawaii.edu

https://english-hawaii.academia.edu/ChristinaGerhardt

Affiliations

Work Experience

  • University of California at Berkeley, Department of German, Lecturer, 2000-2006

Education

  • Ph.D. University of Wisconsin at Madison.

Additional Study

  • University of Chicago, DAAD Summer Seminar in German Studies, July-August 2015
  • German Film Institute, University of Michigan, Ann Arbor, May-June, 2015
  • Fulbright and DAAD, Summer Academy in Leipzig, Germany, June 2014
  • Fulbright Faculty Seminar in German Studies, June 2011 (declined)
  • German Film Institute, University of Michigan, Ann Arbor, August, 2008
  • Cornell University, DAAD Summer Seminar in German Studies, June – July 2008
  • Cornell University, School of Criticism and Theory, Summer 1999
  • Humboldt Universität zu Berlin, Germany, Spring Semester 1998
  • University of California at Berkeley, German, Fall Semester 1997

Areas of Interest

European and German studies; Critical Theory and Frankfurt School, esp. Adorno, Benjamin and Kracauer; film and visual studies; film aesthetics, history, theory; experimental cinema; documentary and essay film; Modernity and Weimar; the Two Germanies; the New Berlin Republic; history and representations of social movements; New Left and the 1960s; gender and feminist studies and theory; colonialism and post-colonial studies; (im)migration and transnational studies; geography and urban studies; environmental studies and humanities.

Awards and Grants (selected)

Publications

Book Manuscripts:

  • 1968 and West German Cinema (in progress)
  • Atlas of Remote Islands and Rising Sea Levels (in progress)
  • Critique of Violence: The Trauma of Terrorism. Under contract.
  • Nature in Adorno (under review)

(Co-)Edited Volumes:

1968 and Global Cinema. Eds. Christina Gerhardt and Sara Saljoughi (Detroit: Wayne State UP, 2018). Under contract.

Celluloid Revolt: German Screen Culture and the Long Sixties. Eds. Christina Gerhardt and Marco Abel (Rochester: Camden House, 2018). Under contract. Series: Screen Cultures.

• Climate Change, Hawaii and the Pacific. Christina Gerhardt, ed. (under review)

Journals – Special Issues – Editor:

(Co-)Edited Series in a Peer-Reviewed Journal:

Articles (Peer-Reviewed Journals and Volumes):

  • Under review: “Liquidity Incorporated: Economics Tides and Fluid Data in Hito Steyerl’s Liquidity, Inc. (2014).” Co-authored with Jaimey Hamilton Faris. Water Natures and Cultures: Critical Essays on Water in Contemporary Literature and Film. Paula Farca, ed. (Reno: University of Nevada Press – volume under contract.) (Abstract accepted Aug. 21, 2016 / Article submitted Jan. 15, 2017). 6803 words.
  • Under review: “Far Away Nearby: The Cinema of Apichatpong Weerasethakul and Christian Petzold.” Wide Screen. Special Issue: “Cinema and the Production of Space.” Guest Editor Katy Hardy. (Article submitted Nov. 29, 2016). 8328 words.
  • In press: “Rising Sea Levels – Hawaii Islands.” Water: An Atlas (Oakland: Guerrilla Cartography, 2017). (Accepted for publication Nov. 29, 2016).
  • In press: “Rising Sea Levels – Marshall Islands.” Water: An Atlas (Oakland: Guerrilla Cartography, 2017). (Accepted for publication on Nov. 29, 2016).
  • In press: “1968 in the Early Cinema of the dffb. “1968 and West German Cinema. Ed. Christina Gerhardt. The Sixties: A Journal of History, Politics and Culture 10 (Winter 2017). (Article accepted for publication on Nov. 5, 2016). 8635 words.
  • In press:”Introduction: Cinema in West Germany around 1968.” 1968 and West German Cinema. Ed. Christina Gerhardt. The Sixties: A Journal of History, Politics and Culture 10 (Winter 2017) (Article accepted for publication on November 5, 2016). 3146 words.
  • In press: “Arbeiterfilme: Fassbinder’s Mother Küsters Goes to Heaven (1975) in a Geneaology from Jutzl to the Berlin School.” Film Criticism 41 (2017). (Article accepted for publication on July 25, 2016). 7384 words.
  • In press: “Pacific and Plastic: Midway Atoll, Plastiglomerate and Love of Place.” Special Issue on Scale. Mosaic 50.4 (December 2017). (Article accepted for publication on July 4, 2016). 7686 words.
  • In press: “Walking, We Ask Questions: Experiential Learning and Environmental Humanities,” Approaches to Developing Ecological Consciousness in the 21st Century Classroom, Ed. Lucie Viakinnou-Brinson (New York: Lexington Books, under contract) (Accepted for publication on Nov. 29, 2015). 7990 words.
  • Germany’s Renewable Energy Shift: Addressing Climate Change.” Capitalism, Nature, Science (Sept. 2016). DOI: http://dx.doi.org/10.1080/10455752.2016.1229803
  • Looking East: Christian Petzold’s Barbara (2012).” Quarterly Review of Film and Video 33.6 (June 2016): 550-566. DOI: http://dx.doi.org/10.1080/10509208.2015.1135679
  • “RAF as German and Family History: Von Trotta’s Marianne and Juliane and Petzold’s The State I Am in.” The Place of Politics in German Film. Ed. Martin Blumenthal-Barby (Bielefeld: Aisthesis, 2014). 166-184.
  • “‘Aus den Orten eine Geschichte Gewinnen’: Christian Petzold’s Etwas Besseres als den Tod,” German Studies Review 36.3 (October 2013): 617-25. [pdf.] DOI: http://dx.doi.org/10.1353/gsr.2013.0143
  • “On Natural History: Concepts of History in Kracauer and Adorno,” Culture in the Anteroom: The Legacies of Siegfried Kracauer. Eds. Gerd Gemünden and Johannes von Moltke (Ann Arbor: University of Michigan, 2012). 229-243.
  • “Narrating Terrorism: Kristina Konrad’s Greater Freedom, Lesser Freedom.”Questioning the RAF: The Politics of Culture. Special issue. Ed. Karin Bauer. Seminar 47.1 (2011): 64-80. [pdf.] DOI: http://dx.doi.org/10.1353/smr.2011.0007
  • “Thinking With: Animals in Schopenhauer, Horkheimer and Adorno.” Critical Theory and Animals. Ed. John Sanbonmatsu (Lanham, MD: Rowman and Littlefield, 2011). 137-157.
  • “Working through the Past: Christian Petzold’s The State I am In.” ZeitRäume: Potsdamer Almanach.  Ed. Martin Sabrow. (Göttingen: Wallstein Verlag, 2010). 31-42.
  • “Surveillance Mechanisms in Literature and Film: Die verlorene Ehre der Katharina Blum by Böll and Schlöndorff / Von Trotta.” Literature and Film. Special Issue. Ed. P.M. Lutzeler. Gegenwartsliteratur 7 (2008): 69-83.
  • “Transnational Germany: Hito Steyerl’s Die leere Mitte and 200 Years of Border Crossings.” Women in German Yearbook 23 (2007): 205-223. [pdf.] DOI: http://dx.doi.org/10.1353/wgy.2008.0000
  • “Adorno and Ethics: Introduction.” Adorno and Ethics. Ed. Christina Gerhardt. New German Critique 97 (2006): 1-4. [pdf.] DOI: http://dx.doi.org/10.1215/0094033X-2005-001
  • “The Ethics of Animals in Adorno and Kafka.” Adorno and Ethics. Ed. Christina Gerhardt. New German Critique 97 (2006): 159-178. [pdf.] DOI: http://dx.doi.org/10.1215/0094033X-2005-009
  • “The Allied Air Bombing Campaign of Germany in Herzog’s Little Dieter Needs to Fly.” Bombs Away: Representing the Air War over Europe and Japan. Amsterdamer Beiträge zur Germanistik 60. Eds. William Rasch and Wilfried Wilms (Amsterdam: Rodopi, 2006). 345-354.

Entries – Encyclopedias and Handbooks (Peer-Reviewed Volumes):

Review Essays:

  • “European Cinema.” German Studies Review 40.1 (February 2017). Review essay of Randall Halle. The Europeanization of Cinema: Interzones and Imaginative Communities. (Urbana: University of Illinois Press, 2014), and Daniela Berghahn and Claudia Sternberg, eds. European Cinema in Motion. (New York: Palgrave MacMillan, 2014).
  • “Carry Boltcutters Everywhere,” Film Quarterly 69.1 (Fall 2015): 102-104. Review essay of Eric Ames, Werner Herzog: Interviews (2014) and Paul Cronin, Werner Herzog: A Guide for the Perplexed (2014).
  • “The Berlin School,” Cineaste (Spring 2014): 66-68. Review essay of Berlin School Glossary (2013), Christian Petzold (2013), The Counter-Cinema of the Berlin School (2013), and The Berlin School (2013).

Film Reviews:

Guest Lectures (select):

University of Chicago; Cambridge University, Cambridge, U.K.; Humboldt Universität, Berlin, Germany; San Francisco State University; Marin Headlands, Center for the Arts; Johann Wolfgang Goethe Universität – Frankfurt am Main; Freie Universität Berlin; New York University (Deutsches Haus); CUNY Graduate Center; Harvard University; Rice University; University of Antwerp. Antwerp, Belgium; Zentrum für Zeithistorische Forschung. Potsdam, Germany; Goethe Institute New York; Wellesley College; Haverford College; University of California at Santa Cruz; Columbia University; University of California at Los Angeles; University of Jena, Germany; University of Leipzig, Germany; University of North Carolina – Chapel Hill; Pomona College; University of California at Berkeley; Kunstwerke Museum, Berlin, Germany; Universität Hannover, Hannover, Germany.

Courses – graduate and undergraduate:

  • The Frankfurt School
  • Benjamin and Adorno
  • The Frankfurt School and Nature
  • History of Cinema
  • Film Theory, Criticism, Analysis
  • Documentary Cinema
  • Experimental Film
  • 1968 and Global Cinema
  • Global Art Cinema
  • History of German Cinema
  • New German Cinema
  • The Berlin School
  • German Fascism and Propaganda
  • Two Germanies – 1949-1989
  • Transnational Germany – 1945 to the present
  • The New Berlin Republic in Architecture, Art, Literature and Film
  • Introduction to Environmental Humanities
  • Philosophies of Nature / Nature Philosophy, 1800-present
  • Nature Writing / Writing Nature
  • Landscape Art and Photography
  • Ocean Planet: Islands, Oceans and Literature
 

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